Projects 2027
Alexandra Pirici
Leaking Territories
In her works, Alexandra Pirici fuses ongoing action, dance, and sculpture. She frequently deals with the history and meaning of specific places in order to playfully tackle and transform existing hierarchies. She uses her interventions to confront the monumentality of public memorials and institutions with animated gestures that express a fundamental scepticism towards the chiselled […]
Andreas Bunte
Laboratory Life
Andreas Bunte’s artistic interests focus on the interaction between technology, the human body, and architecture and the question of how this interplay shapes and determines our material and immaterial environment. His work Laboratory Life, which was created specifically for Münster, is based on the interplay between moving pictures and scientific experimental set-ups. In these films, […]
Aram Bartholl
12 V
Aram Bartholl deals with the possibilities and effects of increasing digitalization in his role as an installation and performance artist. Since the early 2000s he has been actively involved in the production of a digital public sphere — anonymity, open source, and hacking are the key buzzwords of this fledgling Internet generation. In 2010, as […]
Ayşe Erkmen
On Water
Ayse Erkmen’s site-specific interventions call our attention to things that are overlooked, presenting what would otherwise remain hidden. She interferes with pre-existing structures and alters their functions or operational processes, revealing, at the very least, an unusual if not completely new view of something familiar. For Skulptur Projekte 2017, Erkmen selected Münster’s inland harbour as […]
CAMP (Shaina Anand, Ashok Sukumaran)
Matrix
CAMP is an interdisciplinary studio currently made up of Shaina Anand, Ashok Sukumaran, Zinnia Ambapardiwala, Simpreet Singh, and other actors. It was founded in 2007 and continuously regroups for specific projects. Within the context of long-term projects, the group has developed a range of investigative, cultural initiatives for the twenty-first century. CAMP makes use of […]
Cerith Wyn Evans
A Modified Threshold … (for Münster) Existing church bells made to ring at a (slightly) higher pitch
A mixture of conceptual, philosophical, and poetic ideas serves as the basis for Cerith Wyn Evans’s works. The concurrence of these somewhat contradictory readings is made possible by the use of reduced means, such as light, sound, and the written word, and a minimalist aesthetic whose overall timbre is rather cool. In addition to that, […]
Christian Odzuck
OFF OFD
In his work Christian Odzuck focuses on architectural fragments as well as urban building processes. His basic artistic approach is the reuse and further development of building materials, which he reassembles as accessible structures. The original buildings as well as individual elements, reused materials, or the memories thereof are made visible and aesthetically tangible for […]
Cosima von Bonin / Tom Burr
Benz Bonin Burr
Strategies of cooperation, appropriation, and compilation are characteristic of Cosima von Bonin’s mixed-media installations. She navigates the viewer through a sea of references with her subtle humour, bringing influences ashore without any apparent effort and involving artist friends and historical perspectives in her exhibitions. Energized by Conceptual Art and Pop Art, her work keeps touching […]
Ei Arakawa
Harsh Citation, Harsh Pastoral, Harsh Münster
Ei Arakawa’s art is mostly performative and includes everyday objects, works of art, and people as his actors, as it were, with each accorded an equal footing. Music and lyrics play an important role in his installations and performances, as he draws on the artistic strategies of the Gutai group and Fluxus. For Skulptur Projekte […]
Emeka Ogboh
Passage through Moondog
Emeka Ogboh deals with urban sounds, the babel of voices, songs, shouts, screams, and bankground noise, but he also works with his own compositions, consisting of existing songs and public speeches. He filters specific tonal and content-related layers from complex sound material and converts them into experimental musical pieces and spatial audio installations that can […]
Gerard Byrne
In Our Time
Gerard Byrne uses his audio and video recordings and his photographs to scrutinize how media are constructed and manipulated, for example, in documentary footage, photographs, interviews, and writings. He examines how historical concepts and myths promote the possibilities of defamation and the rise of fictional facts, and how they dominate an evaluation of cultural production […]
Gintersdorfer / Klaßen (Monika Gintersdorfer, Knut Klaßen)
Erniedrigung ist nicht das Ende der Welt [Humiliation Is Not the End of the World]
Theatre director Monika Gintersdorfer and visual artist Knut Klaßen have been developing transcultural dance and performance projects since 2005. Together they have generated a differential ethnic and cultural diversity as conceived by decolonization theory in the 1990s. The team bring their productions to life with a network of international dancers, singers, artists, film-makers and character […]
Gregor Schneider
N. Schmidt Pferdegasse 19 48143 Münster Deutschland
Gregor Schneider has developed the canon of his works from the architectural and atmospheric interventions he has been carrying out in a former block of flats in Mönchengladbach-Rheydt since 1985. In 2001, Schneider removed entire spatial sequences from the Haus u r, which is what he called the artwork as a whole, and incorporated them […]
Hervé Youmbi
Les masques célèstes [Celestial Masks]
Hervé Youmbi deals with the African continent’s (post)colonial situation using various media. He contradicts the notion of singular cultural identities by blending iconographic systems from diverse African cultures as well as from Western popular culture. Youmbi’s installation was located in the disused Überwasser cemetery, near General Ludwig Roth von Schreckenstein’s grave. Suspended among the trees, […]
Hito Steyerl
HellYeahWeFuckDie
Hito Steyerl’s films, installations, and writings come out of a systemic way of thinking and working, in which artistic production and the theoretical analysis of global social issues are closely linked. Steyerl investigates the interaction and synthesis of technological and artistic imagery, for example, at the level of visual mass culture — and its function […]
Hreinn Friðfinnsson
Fourth house of the house project since 1974
The work of Hreinn Friðfinnsson often evokes intricate storylines of inspiration, conception, and creation, containing layerings of time and nature, both revealing and concealing the mysteries of the world around us. A work spanning the artist’s career, House Project (1974–), is sustained by its grand narrative. The first iteration of the project was, in fact, […]
Jeremy Deller
Speak to the Earth and It Will Tell You (2007 – 2017)
Jeremy Deller is intrigued by the phenomena of pop and folk culture and explores their creative potential and aesthetic diversity in numerous participatory, process-oriented works. He has a particular interest in group-based productions of events that can take a variety of forms, such as a municipal parade, a concert, an exhibition, or the re-enactment of […]
Joëlle Tuerlinckx
Le Tag / 200 m
Joëlle Tuerlinckx’s conceptual works are frequently conceived at the edge of the visible. Her installations, which consist of found objects, drawings, display cases, and photos are more like spatial experiences than actual artefacts. Every exhibition is based on a precise study of the room and the particular institution where the work will appear. She then […]
John Knight
John Knight, A Work in situ
John Knight’s space installations, logos, lettering, and objects are a response to the institutional framework and the commercial interests of museums and galleries. His works visualize the interaction between the specific context of his presentation, the materiality of his artwork, and the viewer’s perception of it: the meaning of any given artwork is created by […]
Justin Matherly
Nietzsche’s Rock
Justin Matherly finds the visual prototypes for his sculptures in books and writings, especially in philosophical texts and the ancient classics, which he refers to both in form and content. In many cases, he even names them specifically in his titles. His porous and often fractured sculptural interpretations made of cement, plaster, and plastic are […]
Koki Tanaka
Provisional Studies: Workshop #7 How to Live Together and Sharing the Unknown
Since the events of Fukushima, if not before, Koki Tanaka’s art has been centred around crises and the temporary communities that they produce. Tanaka brings people together in unaccustomed situations that are often unsettling. In these unusual collective moments, he tests the possibility of defying existing routines. The documentary footage that was produced in these […]
Lara Favaretto
Momentary Monument — The Stone
Lara Favaretto’s objects and installations are characterized by a minimalistic style, yet by conscientiously embedding her work in a carefully selected location, she gives it a strong social and political impact. By using materials such as stone or metal, her objects initially convey the sense that they are designed for a much longer space of […]
Michael Dean
Tender Tender
In many of his works, Michael Dean develops a sculptural script within a space. However, his objects, which are frequently made of materials like cement, sand, and earth, don’t necessarily depict specific letters. Rather, they are to be seen as an abstract semiotic system that generates meaning via a process of interaction — like words […]
Michael Smith
Not Quite Under_Ground
Michael Smith is a performance, video, and installation artist who often adapts media formats and trends from popular culture. Since the 1970s, his performance personae, Mike and Baby Ikki, have inhabited familiar landscapes infused with tragicomic elements. Most recently, Smith has used Mike, the average naive American, to address timeworn topics such as aging and […]
Mika Rottenberg
Cosmic Generator
Mika Rottenberg’s film installations explore the seduction, magic, and desperation of our hyper-capitalistic, globally connected reality. Female workers produce goods in strange factories that follow elaborate manufacturing rationales. Rottenberg’s cinematic works, which have a surrealistic aesthetic and are rigidly structured in a spatial sense, emphasize the interrelation between labour, economics, and the production of value, […]
Nairy Baghramian
Beliebte Stellen / Privileged Points
Nairy Bagrahmian brings together objects and sculptures that can be assigned to different sculptural genres. Their aesthetic vocabulary incorporates fragile objects that seem as if they were shaped by a flick of the wrist or a sketching gesture as well as works that resemble prosthetics, supports, parapets, and cushions. Although Baghramian always precisely alludes to […]
Nicole Eisenman
Sketch for a Fountain
Nicole Eisenman is primarily known for her paintings and drawings. She makes playful use of a palette of styles and visual languages that ranges from Renaissance painting to modern art, combining them with everyday observations and references to pop culture and pornography. Relationships, stereotypes, the body, and sexuality are assigned a key role in her […]
Nora Schultz
Pointing their fingers at an unidentified event out of frame
Nora Schultz’s artistic interventions develop their tension from material-related actions, forming processes, and their relationship to one another. Everyday materials, language, writing systems, and cultural displacements play just as much a role as the recourse to Post-minimalism. More recently, her focus has shifted, going via performative work with self-constructed printing presses to an engagement with […]
Oscar Tuazon
Burn the Formwork
Oscar Tuazon’s sculptural works have overlaps with architecture and evolve through their encounter with the exhibition’s context. His constructions of wood, concrete, or steel are characterized by a rough materiality: one can see traces of the manufacturing process and visible signs of material fatigue. His artwork refers back to the vocabulary of minimalism, but it […]
Peles Empire
Sculpture
The artist duo Peles Empire, consisting of Barbara Wolff and Katharina Stöver, takes its material and name from the Romanian royal castle of Peleş, built in 1883. The interior is dominated by a chaotic hodgepodge of replica furniture and décors from various stylistic periods. The two artists pick up on the historical dimension of the […]
Pierre Huyghe
After ALife Ahead
Pierre Huyghe’s works often present themselves as complex systems characterized by a wide range of life forms, inanimate things, and technologies. His arranged organisms combine not only biological, technological, and fictional elements, they also produce an environment for humans, animals, and non-beings to evolve in no matter what, like microscopic unicellular organisms or viruses. Huyghe’s […]
Sany (Samuel Nyholm)
Marginal Frieze
Samuel Nyholm, who publishes his figurative drawings under the acronym Sany, works as a graphic designer and artist. Frequently his sketchy drawings borrow from Danish Pilsner cartoons from the 1960s and 1970s in terms of both their visual language and choice of motif. They vary motivic situations, which are peopled by a handful of fictional […]
Thomas Schütte
Nuclear Temple
Thomas Schütte’s placement of his figural and architectural sculptures spotlights inconspicuous places or sites that have been forgotten. The development of his works is also influenced by references to architecture, history, and stories. At the same time, the references have a disturbing effect: they are strangely reinterpreted or interrupted by the surprising and thought-provoking motifs. […]
Wagner / De Burca
Bye Bye Deutschland! Eine Lebensmelodie [Bye Bye Germany! A Life Melody]
Bárbara Wagner and Benjamin de Burca analyse socio-economic relationships, on the basis, for example, of large urban development projects or specific phenomena from pop culture. After doing investigative research at the site in question, they produce — frequently together with the protagonists of the microcosm they portray — photographic and film formats that capture both […]
Xavier Le Roy / Scarlet Yu
Still Untitled
The spectrum of Xavier Le Roy’s artistic endeavours ranges from solo performances to joint projects with other artists. In Münster, for example, he developed a project in cooperation with the artist Scarlet Yu. In their work Still Untitled, Le Roy and Yu explored sculpture as a static entity, conceived as a site-specific piece. Through their […]